YASSINE AHJAM FILM

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Not because the scenes are atrocious or they touch you. It is Jawhara, the little girl in the film who tells her story, much later as an adult. A house of horrors should be set up there, the area is fitting. The future release of many films on the same topic has already been announced. Has he managed to recreate this atmosphere of the s? He says he wants to draw our attention to the fact that today still, we are not completely sheltered from these kidnappings, torture or arbitrariness. One of many examples: It dares to confront taboos not admitted to and deeply rooted in our society, by showing erotic scenes or presenting the fact of homosexuality.

Aiming to support emerging artists in visual arts this project contributes to culture as an integral part of economic development. The answer is globally quite unfavourable to the film because for those, numerous as they were, who lived during this period or suffered from it, it did not manage to present a dramatic construction which suitably illustrates the era. He draws our attention to the conditions of these women who experienced torture and prison because of their ideas. One of many examples: Screenplay, Chraibi, Youssef Fadel. The film remains in some aspects interesting. The physical claustrophobia and fear of prison life is powerfully rendered.

The answer is globally quite unfavourable to the film because for those, numerous as they were, who lived during this period or suffered from it, it did not manage to present a dramatic construction which suitably illustrates the era. It dares to confront taboos not admitted to and deeply rooted in our society, by showing erotic scenes or presenting the fact of homosexuality.

The references should be clear if one wants the public to recognize the era and themselves. Directed by Saad Chraibi. It is not essential to be totally realistic, even in telling of a painful past. Later the friends will be released from prison except Safia who will be transferred to another detention centre, a farm in a lost village to allude to Tazmamart where the Oufkir family were locked up in a farm.

yassine ahjam

If this unorganized return into the past had been a trip to hell in a Dantesque or Fellinian setting. Amongst the group of friends is Safia and Said, two young activists in love with one another and newly married.

Like helmer Saad Chraibi’s similarly femme-based “Women The litany of horrors which pic presents are suggestive of even worse horrors which cannot be portrayed.

The film is necessarily reductive and adaptations rarely measure up to their written inspirations. As our imagination is less solicited through cinema or is otherwiseso that we can relate to it we demand that the atmosphere, created for us by this creator yqssine is the filmmakerto be perfect or at least esthetically correct, and that no false notes disturb its harmony.

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It now also holds [ The future release of many films on the same topic has already been announced.

It is Jawhara, the little girl in the film who tells her story, much later as an adult. Inspired by books written by victims, pic is the story of Safia Mouna Fettou as narrated by her daughter Jawhara, now a mature woman.

Once again, just causes, rather than great cinema, dominate the list of [ The historic reconstruction could have been relatively easy and cheap to do since two thirds of the film take place in prison.

Previous video Next video. Those that were for a long time forgotten in prison would have liked for their ordeal to be told, in the s for example.

They cannot communicate enough of the emotional charge to us so that we can delve into the drama. Also lacking subtlety, Jawhara as a child is always shown playing with a toy airplane, asymbol of freedom which is overdone. A work, even censured or exposing its author to harassment would have maybe contributed yaswine the quickening abjam their release.

The actress Mouna Fettou Safia and the young Yassine Ahjam Said have a few rings of truth but they lack presence and consistency. It can be assumed that the argument of defence is more damning than the accusation: The film remains in some aspects interesting. Two thirds of the film take place in prison.

Jawhara is born in jail — significantly, the terrifying female guard assists with the birth. The insults are also quite trivial as everyone knows that our police are not very polite and that hurling abuse, especially during that period, is not the least of their lapses.

The public is old enough and intelligent enough to judge whether these methods are still in use today, without needing to have them underlined in red pen for them. The somber scenes inside the prison restore the sinister and gloomy atmosphere. Finally the film could very well have been filmed and released in the 70s. Since Charlie Chaplin and more recently Roberto Benigni, we know that we can set off tears and laughter at the same time, even in tackling serious and traumatizing subjects.

The film describes events, a past obscured for a long time.

Advertise About Tips Contact Us. From the opening scenes the events are situated by the narrative of Jawhara the adult, in a distant past in the s. The 91st Academy Awards telecast will air live this Sunday, Feb. Once again the will to be exhaustive, yssine tackle several subjects in one go, affects the dramatic intensity of the fiction.

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Jawhara, Jail Girl – Variety

The second place of imprisonment we visit is far less original. One might have voluntarily subscribed to such a chaotic universe if its treatment had been different. In the s a small amateur theatre company, as there were many at the time, put up a politically committed show which was not to the taste of the government as was often the case. If the film really tackles current affairs of present day Moroccowhich is what seems to be strongly suggested by a symbolic portrait of the king Mohammed VI hung on the wall of the police station which would be a logical reasoning, why expose the events through the narration of an adult Jawhara who sets the present thirty years later ?

He draws our attention to the conditions of these women who experienced torture and prison because of their ideas. Jawhara is practically the first film to tackle the dark period of the lead years in Morocco.

The film seems to have diluted, drowned the heroes in a crowd of characters whose each one tries to steal the limelight. Whereas in the s the Islamic veil was still a relatively unknown phenomenon.

The trial of Safia and her fellow prisoners is presented as a cartoon — a device which, typical of the movie, is punchy but not very subtle. Boultek, a venue dedicated to alternative culture. Or almost wanting to apologise for not shedding one tear whilst assisting to the unconvincing torture scenes or seeing the jailers mistreating and insulting the prisoners throughout.

A couple years ago, the Academy went and changed the rules on how the animated shorts are nominated, opening the process to members of other branches, which may explain why the ballot is one of the most conventional in ages, including none of the experimental stop-motion, hand-painted, or degree techniques seen in recent years.

Safia, an actress in a political theater company, and her husband Said Yassine Ahjamare arrested during a rehearsal. Please fill out this field with valid email address. Jawhara is the story of a little girl born in prison and living with her mother Safia during her entire incarceration. Has he managed to recreate this atmosphere of the s? Salima Abdel-wahab is like a bouquet of natural flowers enveloped in brown paper, textile, frills and flounces, a mixture of material, ethnic groups and coloured cultures.