ULRIKE OPPELT FILM UND PROPAGANDA IM ERSTEN WELTKRIEG

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Special attention was paid to children. However, even this group was not entirely against German annexations in the East. The German Federal Archives digitized titles approx. These ideas originally had to explain and defend the special social and political system of the German Empire and to proclaim national concord. He made evident two stages of public opinion, first in expectation of victory and then in the presence of the military-political crisis , highlighting the connection between the war aims debates and political reforms in Prussia. With regard to individuals it is noteworthy that there are more studies on the altogether less numerous liberal writers. The Goethebund was still active in The war also led to a rapid development of propaganda by means of new mass-media.

In the first period of the war, many overestimated the importance of German victories and developed plans for the expansion of the Empire. The moving images on this website represent a broad spectrum of medial events from the World War I era: The idea that there was a general enthusiasm in the belligerent countries at the outbreak of the war [26] has been modified by scholars in the last decades. UFA in particular became a well-regarded and successful private film company that competed with Hollywood in the s. Deutsche Philosophen zwischen Kaiserreich und Nationalsozialismus , Munich Often, these and other propagandistic activities were coordinated in the background by the bureaus of different states: Die deutsche und die britische Philosophie im Ersten Weltkrieg , Munich

Answering propositions of Friedrich Meinecke[25] Max Weber and others, the Chancellor of the Empire, Theobald von Bethmann Hollweg promised reforms in the Reichstag on 27 Februarybut only very vaguely.

It was not a party in the strict sense, but an extreme nationalistic movement in i, to the majority of the Reichstag. It is remarkable that in the field of the philosophers comparative approach between the belligerent countries has been applied, which for many other aspects has to be desired yet. For this purpose the development of the ideas of receives special attention here. The conservatory aspect determined the selection process: Die deutschen Intellektuellen und der Erste Weltkrieg.

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Films from the World War I Era Defining the Content of our Holdings With the onset of World War I propatanda German film industry experienced a sudden fil, mostly caused by new restrictions on the import of foreign film productions: But all Christians in the belligerent countries tried to proclaim a holy war drawing on symbols from the medieval times on. Campaigns in the Affaire Dreyfus and the agitation of the Goethebund against the Lex Heinze had helped to prepare this effect.

Legende und Wirklichkeit, Darmstadt ; Geinitz, Christian: The earliest photographs date back to the year Deutschland und der Weltkrieg, 2 nd edition, 2 volumes, Leipzig weltkrkeg Berlin In response, German artists and professors soon started to explain the German point of view to foreigners in neutral countries. This very much resembled the political goals of the Pan-Germans as they were formulated in the so-called Seeberg Adresse of 20 Junewhich included 1, signatures university teachers.

Bibliography

There were also several exchanges of letters and manifestos between Catholic and Protestant Christians living in the antagonistic countries. The official film crews often had to settle for staged scenes in the war zones, reports from behind the front or pictures of German troops in occupied areas.

The spirit of Bergson had been popular in Germany before the war and knew the country well, but now he forewent resten former knowledge.

History of our Collection The documentary and feature films, newsreels, propaganda and war bond propaganda films presented here have come to the German Federal Archives in a number of—sometimes winding—ways. Deutsche Reden in schwerer Zeit, 3 vols.

With the extension of the war discussions about the war aims and about the necessity of political reforms inevitably took place, especially in Prussia. Ereignis und Erinnerung, Berlin exhibition-catalogues ; Also, a good case-study is Bruendel, Steffen: It examines first the efforts to justify the war to the public in the neutral countries, and subsequently, to urike German public as well.

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Films from the World War I Era

Nationalsozialismus und Erster Weltkrieg, Essen This expression was first coined by Johann Plenge Les Philosophes et la guerre de 14Saint-Denis The collection documents war-related events and daily war routine between This was especially true in the case of Belgium, whose annexation or control as a protectorate was considered as a defensive measure propagandda Great Britain in the case of future conflicts. The Great War and medieval memory.

With the onset of World War I the German film industry experienced a sudden boom, mostly caused by new restrictions on the import of foreign film productions: Consequently, public statements made by intellectuals were increasingly geared towards the German public.

German Federal Archives, Film Collection: At the beginning of the war there was an ersgen and strict censorship of the newspapers by the commanders om the Army Corps, and beginning in Februaryalso by the Supreme Censorship Office Oberzensurstelle of the High Command Oberste Heeresleitung.

The scarce quantity of still existing World War I film material justifies its importance for historical and film studies. Ooppelt film companies would quickly fill this gap.

The idea that there was a general enthusiasm in the belligerent countries at the outbreak of the war [26] has been modified by scholars in the last decades. Against this purpose many artists and scholars protested.

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Das Vaterland der Feinde. The left side of the political spectrum split in the same way. These ideas originally had to explain and defend the special social and political system of the German Empire and to proclaim national concord.