TL AUDIO IVORY 2 SERIES 5021

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He’s the owner of Audio Upgrades, I was thinking about buying a new mix-bus compressor, and Panoramic had a few I wanted to audition. This automatic nature can be attributed in part to the vintage-like feedback layout. Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. The is my first choice for anything I want or need to sound transparent. A second ECC83 stage is in the gain make-up circuit. Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder.

Unlike starved-plate tube effects, which tend to give you a particular sound that may help one or two tracks stand out in a mix-but may not be appropriate for stacking lots of processed tracks into a mix-the just plain sounds good and you needn’t fear using it on everything. It can give you clean, or it can give you character. The Helios Type 69 input module is a reissue of the input section found on the rare, silver Olympic mixing desks which were designed in the s by Dick Swettenham. In use, having four positions per control with vague labeling works just fine, as the results tend to be very musical but I wouldn’t use the to make a mix pump or bounce to a beat. By design, attack and release times are program-dependent to some degree, so a quick transient won’t end up punching a hole in the signal. I gave it some thought, and I consider it a fair observation. I think that it is less important how something works than how something makes you You could easily record all of your tracks through the and still end up with a mix that’s clear and coherent.

Because processors in the Ivory range are affordably priced, potential buyers often mistakenly group them with low-voltage, starved-plate designs from other manufacturers that employ tubes for gimmickry and overdone effect. On the contrary, the isn’t meant to sound woolly or treble-less um In use, having four positions per control with vague labeling works just fine, as the results tend to be very musical but I wouldn’t use the to make a mix pump or bounce to a beat.

With so many EQ plug-ins on the market, the question remains, what’s different about PSP’s brand-new bundle of four high-quality equalizers?

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I gave it some thought, and I consider it a fair observation. It’s been used on just about every session I’ve done since buying it. And for those of you who are new to compression, the manual is well-written and explains every aspect of the Sometimes it’s the only compressor in the chain. But again, the is not a tube effect per se, so it’s not going to give you anything approaching the sound of a tube-based guitar amp. It also covers the many ways you can connect it to your other gear and includes a step-by-step guide for compressor newbies.

On bass for example, I prefer to use a longer attack time while turning up the ‘s input gain just enough so that transients are gently limited without the life being mushed out of the instrument. This automatic nature can be attributed in part to the vintage-like feedback layout.

I don’t hesitate to use it on just about everything-which is why I own two now. In my studio, I track all main vocals through the But if you’re a veteran engineer, don’t let my recommendation to compressor rookies stop you from checking out the Their mic preamps, summing amps, and control room I think that it is less important how something works than how something makes you Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder.

Tape Op is a bi-monthly magazine devoted to the art of record making. By design, attack and release times are program-dependent to some degree, so a quick transient won’t end up punching a hole in the signal. On the Ivory 2-seriesthe attack and release controls are four-position switches-labeled “slow” and “fast” at opposite ends-while the same controls on the original are limited to only two positions. And other engineers who visit my studio always ask about it when they see and hear it.

And even if your setup changes and you mix and match balanced, unbalanced, analog, and digital gear, you’ll have no problem configuring gain structure-yet another reason why the is a great first compressor that grows with you. It has that ultra clean character that sounds great on acoustic guitars, shakers, hi-fi vocals etc.

At normal operating levels it actually sounds relatively clean, and it’s only when you hit it hard that you hear some tube character.

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TL Audio Ivory2 5021 Dual Valve Compressor

Which is why the is a great first or only compressor, and why it’s also a great go-to compressor even if you have a bunch of other, more specialized compressors in your rack. The reissues of the and the LA-2A from The sounds great and is very flexible.

Subscribe for free here. I read the letter in the last issue of Tape Op complaining that the reviews in this magazine tend to skew towards the positive.

User reviews: TL Audio 2-Channel Tube Compressor – Audiofanzine

The also includes a simple gate in front of seriew compressor. Thein particular, utilizes a solid-state, electronically-balanced input amp followed immediately by an ECC83 12AX7A tube stage seies from a volt power supply.

For me, the unit defines punch. Universal Audio is well known for recreating the classic studio preamps and compressors that were built adio the company’s original founder, Bill Putnam Sr. The Helios Type 69 input module is a reissue of the input section found on the rare, silver Olympic mixing desks which were designed in the s by Dick Swettenham. You could easily record all of your tracks through the and still end up with a mix that’s clear and coherent.

DI’ed guitars tend to benefit from extra gain to bring up the “drive”-and the resultant even-order harmonics from the tube stage-especially if I’m using a slow attack and fast release for a percussive, strummed ivroy part; or I can soften the guitar part by reducing the attack time. The is my first choice for anything I want or need to sound transparent. Recently I decided I wanted a second one. It can give you clean, or it can give you character.

I was thinking about buying a new mix-bus compressor, and Panoramic had a few I wanted to audition.

Also in the back are selectors to change the standard analog input and output levels by 14 dB. The uses a detector that follows a transconductance amplifier circuit for gain control, as opposed to a detector in front of a VCA as in many modern designs.