SANITARI FLAMINIA SERIE NORI

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Unfollow cm64 to stop getting updates on your eBay feed. Florale, Choc and … The ornamental series conceived at the time left a long-lasting mark. Multi-Purpose Craft Supplies Even when the crisis was in full swing, the company never stopped searching for new technical and stylistic solutions for its ceramic products. Number of bids and bid amounts may be slightly out of date. Amounts shown in italicised text are for items listed in currency other than Euros and are approximate conversions to Euros based upon Bloomberg’s conversion rates.

These products were characterised by a good quality-price ratio but were not received enthusiastically by the market. Our new search experience requires JavaScript to be enabled. In , when the Civita Castellana ceramic industry workers went on strike and their demands for better salaries came to nothing, 23 young workers decided to start a company of their own. Show only see all Show only. Best Match Best Match. Please enable JavaScript on your browser , then try again.

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All-white products began to be flanked by colour versions, ushering in the era of colour sanitary ware, which in a few years time would lead to the adoption of a rich and diversified chromatic scale.

See each listing for international postage options and costs. A ceramist began forming the product by modelling clay slabs with the aid of ad hoc supports, and all subsequent production stages were also carried out manually.

On the production front, the challenge was to create top-quality products while maintaining costs at a suitable level, by taking full advantage of the professional skills of the workers and the opportunities afforded by technological innovation. Amounts shown in italicised text are for items listed in currency other than Euros and are approximate conversions to Euros based upon Bloomberg’s conversion rates.

This line had a strong visual impact and was promoted on the media and in company catalogues with forceful images and innovative furnishing solutions.

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The success of the new products, which entailed significant manufacturing problems, led to an upgrade of the production lines, resulting in the adoption of systems embodying leading-edge technology and the creation of two new production areas. Please enable JavaScript on your browserthen try again. In Giulio Cappellini was appointed art director and inaugurated a series of joint projects with both young and well-established designers: The recent collaborations with famous Italian designers such as Alessandro Mendini and Paola Navone, and international ones, such as the Nendo studio and Jasper Morrison, are evidence that Flaminia intends to continue making design sanitary ware, entirely manufactured in Italy, in the belief that such characteristics are fully appreciated by the market.

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In the company changed its legal status to limited liability company. Items in search results. Please provide a valid price range. You consent to our cookies if you continue to use this website.

In the wake of these changes, new production technologies came to the fore: Show only see all Show only. Communication At the same time, the company began publicising its sanittari with catalogues showing photos and the technical data of the individual products.

The kiln The products were fired in a wood kiln whose structure was modelled after the renaissance kilns. This decade also saw a second generation — the sons of the founders — take the lead of the company.

NORI | Flaminia Ceramic

Production and conveyor tunnel In the wake of these changes, new production technologies came to the fore: Skip to main content. Format see all Format. The ornamental series conceived at the time left a long-lasting mark. This page was last updated: Market requirements changed appreciably with the economic boom, and, instead of individual items, ornamental series consisting of toilet bowl and tank, bidet, washbasin and column became the vogue.

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Inwhen the Civita Castellana ceramic industry workers went on strike and their demands for better salaries came to nothing, 23 young workers decided to start a company of their own. The products were fired in a wood kiln whose structure was modelled after the renaissance kilns. The crisis that broke out inand still shows no signs of coming to an end, confronted the company with the challenge of facing up to an increasingly difficult and selective market.

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The early s saw a period of slack, and the company realised it had to change its course to get out of a critical situation. It was decided to focus on design to renovate the product line-up and the bathroom environment, also by resorting to flamina collaborations, such as the one that in led Giulio Cappellini to create the product that xerie become the icon of change: Giulio Cappellini Art Director Innovative products combining original design and new technical solutions continued to be produced.

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Ceramica Flaminia became a point of convergence for the most diversified design experiences and was able to claim it was the sanitary ware maker with the greatest number of designers. At the same time, the company began publicising its products with catalogues showing photos and the technical data flamiina the individual products.