DIMITAR ANAKIEV FILMS

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That means we need critical filmmaking very much. Kralji ulice I also love the idea to sell a DVD with two of my films: Dimitar Anakiev Dimitar Grigorov Anakiev is an independent filmmaker, writer and poet, who was born in Belgrade in Retrieved 24 March For my first film Amigo I was awarded the national film prize Vesna, which helped me a lot when deciding on the career in the film production. The wheel of a troop carrier. On TV Slovenija they also refused to feature the film Rubbed Out for not being “conformant to the program interests of the institution”. It’s this entirely human, emotional aspect which enriched me and is probably my greatest personal gain.

Partly it is a general problem of the underground, extremely low budget film production. For a moment we felt close to each other, our human entities were touching each other directly. Ten years of a life without any documents followed; vegetating on the margins of the society, I supported myself by doing occasional jobs; for example, for two years I was a chess instructor in the local club. Obviously he needs to play an active part in the process of film making: Dimitar Anakiev’s photo, page 6, Kralji ulice Anything else? I’m honored that my first filmmaker’s interview in Slovenia is being given to the newspaper Kings of the Road! Furthermore, these films are presented abroad.

Obviously it shows the miserable place of humanism.

Each one of my films was presented on the national film festival. It would seem that I’ve been making them all my life, since during the first part of it Annakiev was unknowingly preparing myself for the creative work in cinematic production.

In Slovenia the situation with humanism is a bit better but generally it is very much similar to other Eastern European states. He helped gilms a generation of Slovenians through powerful films that juxtaposed the actions of politicians and rightwing nationals with the day-to-day privations of erased people.

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Anakiev an individual and collective tragedy that should actually never happen. Do you have an explanation about refusing the Rubbed Out in the Balkans? I started out from the scratch, I’ve learned the art of making films on the road.

For the following 10 years he was compelled to live without personal documents such as a passport or personal identificationrendering him an invisible prisoner of the Slovenian democracy. And then I bought a small DV camera and started to film the life surrounding me. In a certain way, each of these represents a turning point.

With its help and with the help of the mutual collaboration, I’ve managed to cross the border which usually separates people and social classes. There is a cultural issue too: Partly it is a general problem of the underground, extremely low budget film production.

The bitter taste of such acts stimulated me during the work which was hard, having no money, no equipment and rilms few collaborators.

institute of documentary film

The wheel of a troop carrier. Dimitar Anakiev Dimitar Grigorov Anakiev is an independent filmmaker, writer and poet, who was born in Belgrade in I’ve learnt a lot, practically everything that the project had to offer, everything that can be brought about by a completely new situation, be ana,iev in life or on film.

Studio 7 from Ljutomer helped postproduction of King of dinitar Road. The film on the rubbed-out former citizens of Slovenia Rubbed Out brought me some money and an dilms renown. It’s interesting to note that the selector of the regional documentary program in Sarajevo demanded — for the film to be included — that it should be shortened for the scene representing the orthodox baptism of the leading protagonist omitted. Along with official festival DAF presented their films in more than 50 screenings all around the Europe.

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Dimitar Anakiev Films s.p. – Slovenian Film Centre

How did King of the road come about? Anakiev is also an internationally renowned haiku poet, editor and essayist. For a while I was just enjoying myself, watching what was happening, but then I became aware of the extreme importance of their act: Aitkenanthropologist, San Diego State University. In Slovenia I met my wife and stayed on to live with her; our daughter was born. Then Rubbed Out has numerous independent screening around the Europe, more then 30, then it was shown at Political Incorrect Film Festival in Ljubljana.

Anakiev is in possession of personal methodology of documentary filmmaking which will enable him to follow destinies of his heroes with different ethnic backgrounds but at the same time to present the realities in social, political and economic circumstances How many films have you already made?

Dimitar Anakiev Films s.p.

It seemed to me that I’m observing the very beginnings of the theatre, for I am certain that the theatre was born on the street, in a similar way. So, it is very hard to practice critical filmmaking in low budget production everywhere but particularly in the Balkans.

While filming Rubbed Out I was receiving anonymous letters containing threats. The ultimate purpose of the film is to eliminate reasons, that caused this film to be made. Retrieved 24 March Each of these films has its own dimensions and all of those are equally important to me. For a moment we felt close to each other, our human entities were touching each other directly.