CINEMA EPOCH EUROCRIME

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Like it or not, these rough and ready exploitation pictures have earned their place in movie history and Malloy and company have done an excellent job uncovering their history and documenting their legacy. Scripts were pretty disposable, dialogue and plot difficulties were patched over with post-production dubbing, and the action scenes were often filmed in a improvisational manner with little attention paid to securing the proper clearances from local authorities. The director, with the assistance of a supremely talented editor who also goes by the name of Mike Malloy wonder if they’re related? Real crime families in Italy like the Cosa Nostra and the Camorra often played roles in these features on both sides of the camera and their law-breaking tactics make for some hair-raising tales. The Italian Cop and Gangster Films That Ruled The ’70s is one of the best movie documentaries I’ve seen in years, with a surprising assortment of interview subjects and a wealth of intelligent insight into a genre of exploitation cinema that deserves a little more love and respect than it gets. The time now is Never miss a story from Cinapse , when you sign up for Medium.

The Italian Cop and Gangster Films That Ruled The ’70s, and at an exhausting and robust minutes, this is not so much a film as it is a master class on one of the last prominent eras of international populist outlaw filmmaking. Milian’s observations on acting and the international film industry are candid and refreshing, making this a terrific complement to the main feature. Two minor deleted scenes 7 minutes , a trailer 5 minutes , a full-motion slide show of other Cinema Epoch releases, and disc credits round out the extra features. Factory Blu-ray Review Got this en route. There are a lot more entries in the genre than more often talked about cannibal or zombie films and many of these films had bigger names attached to them to. The archival film clips vary in quality as most of them have not been restored, but the majority look good and carry few traces of permanent print damage. It is the first English language account of the Italian polizotteschi film, well written and informative. Actors eager to prove themselves to the machismo-charged Italian crews would willingly perform their own stunts only to find themselves put into life-threatening situations without the benefit of a stunt coordinator or standby first aid team.

Hence the increases in violence, action, and sexual content. Finally you get the five-minute! Making the films on location often exposed cast and crew to the dangers presented by the leftist terrorist group the Red Brigade, but any potential loss of life was viewed as an acceptable risk. They found it with the success of the cop and crime films and, as they did with Spaghetti Westerns and horror pictures, quickly figured out a way to turn this out quickly and on a modest budget, often times casting lesser known but still recognizable American stars in lead roles.

The filmmakers and money men knew these movies had to have a special appeal to get audiences into the theater seats and show up their American counterparts big time. Killing Birds could tell you and it only served to prove that the business of making movies in that country was just that and little else. The time now is All of the interview material is nicely shot usually against a black background which means the bulk of the film looks just fine on DVD.

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Eurocrime: The Italian Cop and Gangster Films that Ruled the 70’s

The interview portions of the documentary were shot on high-definition digital video so naturally they come across as the strongest beneficiaries of this transfer. Today the films and their stars many imported from America or elsewhere in Europe, as per the usual custom by this point have earned a loyal following with many key titles still in demand for the special edition treatment. Sometimes those speeding police cars you saw in a chase weren’t even aware they were in a movie.

Italian crime film protagonists were usually split between rogue cops who refuse to play by the rules and gangsters out for vengeance epocy the consolidation of power, and both played into the most common theme in poliziotteschi of one man taking on the entire world.

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Recent Article Comments Widget. Most of the documentary is in English but quite a few parts are spoken in Italian and during these parts, English subtitles automatically appear on screen to translate. Bullets tore holes through human flesh and painted the scenery with gallons of bright red plasma. I love that Silva still looks like he could rip out your spine and dance in your blood. The director, with the assistance of a supremely talented editor who also goes by the name of Mike Malloy wonder if they’re related?

Despite this scholarly approach, Eurocrime! Some of those actors had actually hailed from the States originally but were forced to relocate to Europe when the old Hollywood star system became a thing of the past and it was abundantly clear that infrequent work in television just wasn’t going to pay the bills. Castellari and other important players not as often recognized like stuntmen and what not.

Never miss a story from Cinapsewhen you sign up for Medium. Scripts were pretty disposable, dialogue and plot difficulties were patched over with post-production dubbing, and the action scenes were often filmed in a improvisational manner with little attention paid to securing the proper clearances from local authorities.

There are a lot more entries in the genre than more often talked about cannibal or zombie films and many of these films had bigger names attached to them to. Real crime families in Italy like the Cosa Nostra and the Camorra often played roles in these features on both sides of the camera and their law-breaking tactics make for some hair-raising tales.

Milian is always an interesting and entertaining interviewee and this piece is a welcome addition eueocrime the disc. All times are GMT It is the first English language account of the Italian polizotteschi film, well written and informative.

EUROCRIME! The Italian Cop and Gangster Films That Ruled The 70s

Managing to tackle this intricate subject in just over two hours, Eurocrime! Cinema Epoch Released on: The persistence of horrific misogyny in Italian crime films is addressed cunema best as possible, as is how important American theatrical distribution was in keeping the genre alive well into the ‘s as the market began to dry up and the Italian film industry moved on to mass-producing Indiana Jones and Mad Max clones and what generally happens to clones of clones?

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The Italian Cop and Gangster Films That Ruled The ’70s is one of the best movie documentaries I’ve seen in years, with a surprising assortment of interview subjects and a wealth of intelligent insight into a genre of exploitation cinema that deserves a little more love and respect than it gets. Got this en route. No subtitles wpoch been included other than the burned-in English subtitles for the Italian language interviews.

Here he speaks quite frankly for fifteen minutes in English about how he got his start in the Italian film industry and quickly found fame working in plenty of different crime films in the seventies. But that didn’t stop absurdly talented filmmakers from infusing their action thrillers with plenty of high-octane excitement and pure balls-to-the-wall storytelling motivated by colorful anti-heroes whose choice of firearms were often eueocrime than their dialogue.

Italian crime movies proved popular, in part thanks to their extreme violence, creative stunts and chases and overtly macho and chauvinistic attitudes.

Additionally, the film provides certain cultural insights as well: Marine Corps permanent liver damage to theaters and grindhouses all over the world throughout the ‘s. Dulaneyfilmmakers Claudio Fragasso, Enzo G. I wouldn’t count on it getting any cheaper. This DVD from Cinema Epoch comes highly recommended in spite of its lack of substantial bonus features.

The beginnings of the “poliziotteschi” are not shocking when you consider their nation of origin; they were designed to capitalize on the worldwide success of classic American films such as Dirty Harry, The French Connection, and especially The Godfather.

The film clips are a bit more erratic, not surprisingly, but for the most part it’s a sleek, satisfying visual experience with a solid stereo sound mix throughout. Two minor deleted scenes 7 minutesa trailer 5 minutesa full-motion slide show of other Cinema Epoch epocn, and disc credits round out the extra features. Get updates Get updates.

Ever since Mark Hartley’s Eurorcime Quite Hollywood blew away many an impressionable mind back in with its insightful and blunt honest appreciation of Australian exploitation cinema some of the best documentaries related to film have focused on obscure sub-genres of low-grade B-movie making that haven’t been terribly popular since the dying days of VHS, like American Grindhouse and Hartley’s own Machete Maidens Unleashed.

Just like in a class I was eurocdime notes and learning much in such a short amount of time. What they lacked in originality these films often made up for with fantastic car chases, awesome stunt heavy set pieces, over the top violence, frequently naked Euro-babes and typically awesome soundtracks. Country of Origin – USA.

After such in-depth discussions you will have to see some of these movies for yourself.